Announcing The Center for Fiction 2026 First Novel Prize Longlist

A Real Animal follows Lucy through the decade dividing college and real adulthood, as she navigates three distinct romantic relationships, reckons with the false promise of family intimacy, and seeks connection with the sublime and natural worlds. Lucy wants her life to be extraordinary. But this desire never seems to graft easily onto the smallness of her world. As a senior in college struggling to quell the destructive effects of a sexual assault, she gets a glimpse of a different plane of existence—more wild, physical, animal. She moves away from home, breaks up with her long term boyfriend, stops speaking to her mother, and starts dating a complicated, violent man.

As she changes cities, friends, and partners, there is a persistent sense of wildness in Lucy and in her world that’s only ever barely being controlled. The thrum of a nonhuman existential force in the back of her mind urges her to reject the ordinary, but also reminds her that she is alone in the world. She feels it in the depths of the ocean while deep sea diving, in the cold silences on phone calls with her sister and her mom, in the misunderstanding gaze of a man she thought would love her forever.

Guided by Emeline Atwood’s lightspeed, suspenseful prose, we follow Lucy across states, jobs, relationships, and stages of intimacy with her family, witnessing both moments of horrific pain and quotidian happiness. The years pass by seamlessly, bringing her to the edge of her twenties and back to an altered, barren version of her childhood home, where she must finally come to terms with the fear that being human itself might mean feeling alone, and wild, and unknowable.

Upward Bound is not a place anyone dreams of spending their days. The dreary adult daycare center for Los Angeles’s disabled community is, for many of its clients and staff, a place of last resort. This includes Carlos, a young aide who lost his mother as a boy and now works there alongside his beloved sister, Mariana; Jorge, the gentle nonspeaking giant whom Carlos seeks to befriend (and prevent from escaping); Tom, a beautiful young man with cerebral palsy who pines for Ann, the summer lifeguard at the center’s pool who feels out of her depth. Then there’s Dave, Upward Bound’s director, who came to L.A. to pursue an acting career but now channels his passion into staging an overly ambitious holiday show starring the center’s irrepressible clients. Framing these intertwined narratives—and connecting them in surprising, shattering ways—is the riveting and sometimes ironic testimony of Walter, a recent community college graduate who, after a family tragedy, must return to the company of his disabled peers.

In Upward Bound, Woody Brown has created an indelible, authentic, and profoundly moving group portrait of autism and other disabilities, all illuminated by his empathy, sly sense of humor, and enormous gifts as a novelist. With remarkable sophistication, insight, and creativity, Brown depicts a community too-often invisible in literature and society. Filled with characters you won’t soon forget, Upward Bound will inspire and touch you, teaching you as much about yourself as the tender, miraculous world behind the center’s doors.

When Ash spots an ad for Retro during a depressing Instagram scroll—she’s in debt and unemployed; everyone else is, evidently, thriving—she’s surprised the algorithm sent it her way. She’s heard of recreational time travel, but it’s way out of her budget. Then she sees the caption: Come away with us! We’re hiring.

So begins Ash’s life as a Time Travel Agent, leading wealthy tourists on vacations to historical hotspots. She takes bachelorette parties to live out their cowboy-romance fantasies in the Old West; she chaperones “’20s for your twenties” birthday excursions to speakeasies; she smiles politely as rich Wall Street guys give prospecting a shot during the Gold Rush. It’s all thrilling, outrageous, and totally surreal. Bygone America is just a Retro Metro ride away.

Despite Ash’s tendency toward cynicism, she finds herself swept up in her dazzling new job. Sure, Ash isn’t the actress she’d always dreamed she’d be. But isn’t this so much better? It’s like Ash’s life is a movie, complete with an impossible love triangle. How is she supposed to choose between her mysterious office crush and the handsome private eye pursuing her in 1937?

For the first time in years, Ash’s life feels enviable—so she’d really rather not pay attention to the strange things happening to her memory and relationships outside Retro. But as her trips threaten to unravel her real life, she confronts an unsettling truth: Escaping into the past was never really an escape at all.

A sister disappears and returns as a tiger. A mother’s voice compels the truth from any tongue. A granddaughter divines secrets in others’ dreams. These women are all of one lineage—a Korean family split across decades and borders by Japanese imperialism.

At this saga’s heart is Young-Ja, a girl who infuses food with her emotions. She revels in her gift for cooking, nourishing the people she loves with her cheerfulness. But her sunny childhood comes to an end in 1931 when Japanese soldiers crush her family’s defiance against the Empire. Young-Ja is cast adrift, her food turning increasingly bitter with grief. When a Korean rebel fighter notices her talents, however, she is whisked off to Manchuria to join a secretive sisterhood of beautiful teahouse spies. There, Young-Ja finds a new sense of belonging and starts using her abilities for the resistance. But the Imperial Army is not yet finished with her…

Decades later, Young-Ja lives alone in Seoul, withdrawn from the world until her Tokyo-born granddaughter Rinako bursts into her life with the ability to see into dreams. In cultivating a tentative bond, they confront the long-buried past in a stunning emotional climax.

As an unforgettable family perseveres in the long shadow of colonialism, Honey in the Wound transports readers to mountain forests where tiger-girls stalk, to Manchurian teahouses and opium dens where charming smiles veil secrets, and to the modern metropolises of Tokyo and Seoul where restless ghosts stir. This debut novel is a tender yet powerful multi-generational drama that shines light onto the twentieth century’s darkest corners and gives voice to those who bore witness.

Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution and plan for revenge.

But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the police: her only son has been murdered.

Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a story: the one who lives it, or the one who tells it?

When Judith Rice fled her childhood home, she thought she’d severed her abusive mother’s hold on her. She didn’t have a plan or destination, just a desperate need to escape. Drawn to the forests of southern Georgia, Jude finds shelter in a house as haunted by its violent history as she is by her own.

Jude embraces the eccentricities of the dilapidated house, soothing its ghosts and haints, honoring its blood-soaked land. And over the next thirteen years, Jude blossoms from her bitter beginnings into a wisewoman, a healer.

But her hard-won peace is threatened when an enigmatic woman shows up on her doorstep. The woman is beautiful but unsettling, captivating but uncanny. Ensnared by her desire for this stranger, Jude is caught off guard by brutal urges suddenly simmering beneath her skin. As the woman stirs up memories of her escape years ago, Jude must confront the calls of violence rooted in her bloodline.

In Avigayl Sharp’s brilliant and bold debut novel, Offseason, our fiercely observant but self-deluded narrator finds herself teaching at an all-girls boarding school on the Eastern Seaboard. In between manic lectures that veer from Charles Dickens’s Bleak House to the childhood maltreatment of her beloved Iosif Stalin and the generational legacy of the Holocaust, she consorts and canoodles with the town’s locals—including the possibly disgraced male teacher whose job she’s taken over—implicating everyone she meets in her obsessive quest to pin down where, exactly, her own life went wrong.

Though she’s vowed never to return to her hometown in the middle of the country, the holiday season sends her careening back into the orbit of her overbearing, maladjusted family. Drunk at a bar on the frigid afternoon of the seventh night of Chanukah, she encounters the figure from her adolescence who may or may not be responsible for violating her, bringing her down, and ruining her life. The past collides with the present—but catharsis and closure are nowhere to be found. Not at the bar. Not in her childhood home. And certainly not in the unruly spirals of her mind.

Serious yet irreverent with a delirious velocity, Offseason reimagines the conversation around trauma while reckoning with the doomed project of “speaking your truth,” the compulsion to repeat, and whether we can be transformed by art and love.

In the halls of an elite East Coast high school, Arjun and Payal fall in love as the world begins to tilt toward the digital. Over the next eight years, their trajectories diverge as sharply as the fractured internet itself. Payal ascends to the dizzying, dopamine-fueled heights of New York’s influencer economy, finding fame on Boost, a looping video app that is as rewarding as it is demanding.

Meanwhile, in a cavernous office in Chicago, Arjun, a musician whose dreams have quieted, now cleans up the same platform’s debris, moderating the internet’s darkest videos. When a brutal act of political violence against a beloved musician goes viral, this rip in reality forces the pair to confront the motivations of the platforms they inhabit. A sharp exploration of creative ambition and the multifarious nature of identity, this is a story of love in the time of infinite scroll and a look at what we sacrifice to be seen.

When Baby appears in Original Hill, her name is on everyone’s lips. A young Black woman is a rare sight in this part of town, and she sits all day on the Foxes’ garden wall, swinging her bare feet and speaking to no one. That is, until the charismatic Lucius “Lucky” Foote comes along and touches her, sparking their romance. Arm-in-arm with Baby, who seems to exert a seemingly supernatural pull on the other residents, Lucky is confident he will secure the open city council seat away from Baby’s uncle Eugene Fox, the back-from-retirement white incumbent.

With protestors reopening old wounds around the Black neighborhood that was leveled by the nearby highway decades ago and Lucky threatening his position, Fox believes it’s not just a city council seat at stake, but the “soul” of Original Hill.

As Baby is woven further into the unraveling community, she begins to stray from Fox’s strict rules and question everything, from where she came from to who—and what—she truly is.