Tuesday, 7:00 pm EST February 8, 2022
Online via Zoom
PEN finalist and critically acclaimed author Jabari Asim returns with a “wholly engrossing and expertly executed” historical novel; Yonder follows two enslaved couples in the Antebellum South, who use love, language, and a touch of magical realism as a means of survival. Award winning author John Keene (Counternarratives) joins Asim for a conversation on this elegant work of monumental imagination that reorients how we think of the legacy of America’s shameful past.
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Jabari Asim is a writer and multidisciplinary artist. He directs the MFA program in creative writing at Emerson College, where he is also the Elma Lewis Distinguished Fellow in Social Justice. His nonfiction books include The N Word: Who Can Say It, Who Shouldn’t, and Why; What Obama Means: For Our Culture, Our Politics, Our Future; Not Guilty: Twelve Black Men Speak Out on Law, Justice, and Life; and We Can’t Breathe: On Black Lives, White Lies, and the Art of Survival. His books for children include Whose Toes Are Those? and Preaching to the Chickens: The Story of Young John Lewis. His works of fiction include A Taste of Honey and Only the Strong.
Photo Credit: Shef Reynolds II
John Keene is the author and co-author of a handful of books, including the award-winning fiction collection Counternarratives and the forthcoming poetry collection Punks. He has received many honors, including a 2018 Windham-Campbell Prize and a 2018 MacArthur Foundation Fellowship. His translation projects includes poetry, fiction and essays from Portuguese, French and Spanish, among them the Brazilian writer Hilda Hilst’s novel Letters from a Seducer. He chairs the Department of African American and African Studies, is Distinguished Professor of English and African American Studies, and also teaches in the Rutgers-Newark MFA in Creative Writing Program at Rutgers University-Newark.
By Jabari Asim
Published by Simon & Schuster
They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs, but they have a language and rituals all their own.
In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball Greene, they never know what harm may befall them: inhumane physical toil in the plantation’s quarry by day, a beating by night, or the sale of a loved one at any moment. It’s that cruel practice-the wanton destruction of love, the belief that Black people aren’t even capable of loving-that hurts the most.
It hurts the reserved and stubborn William, who finds himself falling for Margaret, a small but mighty woman with self-possession beyond her years. And it hurts Cato, whose first love, Iris, was sold off with no forewarning. He now finds solace in his hearty band of friends, including William, who is like a brother; Margaret; Little Zander; and Milton, a gifted artist. There is also Pandora, with thick braids and long limbs, whose beauty calls to him.
Their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence. He tells them that with freedom comes the right to choose the small things-when to dine, when to begin and end work-as well as the big things, such as whom and how to love. Do they follow the preacher and pursue the unknown? Confined in a landscape marked by deceit and uncertainty, who can they trust?
In an elegant work of monumental imagination that will reorient how we think of the legacy of America’s shameful past, Jabari Asim presents a beautiful, powerful, and elegiac novel that examines intimacy and longing in the quarters while asking a vital question: What would happen if an enslaved person risked everything for love?
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