Thursday, 12:30 pm EDT - 6:15 pm EDT September 24, 2026
The Center for Fiction
& Livestreamed
Panels are free, open to the public, and will be livestreamed. Registration is required for in-person attendance and to access the livestream. Seating is limited and will be available on a first-come, first-seated basis.
The keynote, featuring Emily Wilson is a paid ticketed event (in-person or livestream).
The Center for the Art of Translation presents the seventh annual Day of Translation in partnership with The Center for Fiction in Brooklyn. Whether you are a literary translator, an avid reader, or simply curious about the movement of ideas across languages and cultures, come celebrate the deeply human art of translation with us. This year’s program features dynamic panels and insightful conversations, culminating in a keynote address.
Schedule
12:30pm Doors
1pm Welcome & Opening Remarks
1:15–2:15pm Panel 1
The Art of Embodied Translation: The Role of Disability in Translation Today
Join a diverse group of translators with disabilities as they explore disability in translation both as a lived experience and creative lens. Drawing on “bodymind” concepts—the idea that the physical and mental experience are inseperable—and the spectrum of disability, this panel bridges the gap between craft and access. Panelists will discuss how lived experience informs translation, interrogate the publishing industry’s accessibility gaps, and propose a collective reimagining that prioritizes universal access and empowers translators with disabilities of all kinds. As machine translation rises, this panel invites you to reclaim the value of the embodied human, in all its vulnerabilities, in the art of translation.
Panelists: Nichole Gleisner, Paige Aniyah Morris (joining remotely), Amanda Sarasien, and Jeffrey Zuckerman
3:45–4:45pm Panel 2
A Radical Proposal: Literary Translators as Workers
The Literary Translators Division, a newly formed division of the National Writers Union, is working to build collective power among literary translators as workers. This panel will share their current projects, including Unilateral Announcements (agreements with publishing outlets that determine basic labor standards for freelancers), their Rate-Sharing Tool (providing data in the service of pay transparency to help translators negotiate for higher compensation), and their Solidarity Drop-Ins (to provide support and share negotiation tactics in a collaborative, mutual aid–type environment), leading into a discussion about why literary translators should see themselves as workers, how building solidarity among literary translators will lead to better working conditions across the industry, and why these improvements ensure a more vibrant, diverse, and sustainable literary ecosystem not only for translators but for all readers.
Panelists: Soleil David, Kira Josefsson, Frances Riddle, and Jeremy Tiang
5:15–6:15pm Panel 3
Care, Collaboration, Transformation: Feminist Translation Collectives and World Literature
How can translation be an act of care and radical transformation? This panel showcases four feminist collectives working at the margins of the Anglo-European mainstream: Rusted Radishes (Lebanon), Fisherwomxn (Cyprus), 10/11 (Germany & UK), and Turkoslavia (US). Each project—literary agency, art practice, translation collective, and literary journal—uses collaboration to challenge monolingual norms, platform neglected voices, and reshape publishing. Join these adventurous translators as they share the motivations and rewards of working collectively to forge more equitable outcomes across languages and geographies.
Panelists: Seta Astreou-Karides, Zeina G. Halabi (joining remotely), Katharine Halls, Sabrina Jaszi, and Ena Selimović
6:45pm Doors Open for Keynote
7–8pm:
Keynote Conversation: Emily Wilson (Ticketed Event)
For more information about the keynote and to purchase tickets, please click here. Tickets include an invitation to the Community Afterparty and a copy of Emily Wilson’s Crossing the Wine-Dark Sea.
8:00–10:00 pm Community Afterparty: Night of Translation (Invitation Only)
By registering for this co-presented event, you agree to share your information with The Center for Fiction and The Center for the Art of Translation.
Featuring
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Seta Astreou-Karides
Seta Astreou-Karides
Seta Astreou-Karides is an artist, researcher, and performance maker from Cyprus, based between Athens and Nicosia. Her artistic and research practice engages with fiction, speculative methodologies, and the geographies of Cyprus. She is a member of the Fisherwomxn collective, through which she develops collaborative projects centered on artistic research, publishing, translation, and study grounded in anticolonial and feminist literature. Alongside Rallou Karella, she co-developed Translating Table, an open-source platform exploring collaborative and situated approaches to translation. As a dramaturg and performer, she has collaborated with artists and theater-makers in Cyprus and Greece.
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Soleil Davíd
Soleil Davíd
Soleil Davíd is a poet and translator from the Philippines. She is a National Endowment for the Arts Fellow and a winner of the Don Carlos Palanca Memorial Awards for Literature, and she has received support from MacDowell, both the Bread Loaf Writers’ and Translators’ Conferences, the Barbara Deming Fund, the Community of Writers, and the DC Commission on the Arts and Humanities, among others.
Photo Credit: Ryan Guglietta
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Nichole Gleisner
Nichole Gleisner
Nichole Gleisner is a writer, editor, and translator of French-language literature. She holds a BA from Boston University and a PhD from the Department of Romance Studies at Duke University. She currently works as managing editor of Yale French Studies and a lecturer in the French Department at Yale University, where she teaches courses on translation. Her translation of Benoîte Groult’s My Escape was published by Other Press, and she is currently working on a translation of Sabyl Ghoussoub’s Beirut between Parentheses for Liverpool University Press.
Photo Credit: Jacquelyn Gleisner
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Zeina G. Halabi
Zeina G. Halabi
Zeina G. Halabi is a writer, editor, and scholar of modern Arabic literature. Her research explores the contemporary legacy of twentieth-century emancipatory traditions, texts, and figures, with a regional focus on Egypt and the Levant. She is the author of The Unmaking of the Arab Intellectual: Prophecy, Exile, and the Nation (2017) and the co-editor of The Cambridge Companion to Modern Arabic Literature (2026). She is the Arabic editor of Rusted Radishes: Beirut Literary and Art Journal.
Photo Credit: Nasry Sayegh Jr.
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Katharine Halls
Katharine Halls
Katharine Halls is an Arabic-to-English translator from Cardiff, Wales. She has translated books by Sara Abou Ghazal, Shady Lewis, Ahmed Naji, and Adania Shibli. Her work has been awarded the James Tait Black Prize for fiction and the Saif Ghobash Banipal Prize for Arabic Literary Translation, named finalist for the National Book Critics Circle Award for autobiography and the EBRD Literature Prize, and longlisted for the Queen Mary Small Press Fiction Prize. Her work appears in AGNI, the Kenyon Review, the Believer, McSweeney’s, the New York Review of Books Online, Mousse, Frieze, and elsewhere, and has been anthologized in Best Literary Translations and The Penguin Book of the International Short Story.
Photo Credit: Hannah Massih
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Sabrina Jaszi
Sabrina Jaszi
Sabrina Jaszi is a writer, editor, and literary translator, working from Uzbek, Ukrainian, and Russian. Her published translations include the works of Salomat Vafo, Suhbat Aflatuni, Leyla Shukurli, and Alisa Ganieva. Her translation with Roman Ivashkiv of Andriy Sodomora’s The Tears and Smiles of Things won the 2025 American Association for Ukrainian Studies’s Best Translation Award. She is the co-founder of Turkoslavia, a collective and journal. Find her recent translations in AGNI, the Dial, and the Massachusetts Review.
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Kira Josefsson
Kira Josefsson
Kira Josefsson is a writer and literary translator working between Swedish and English. In her translation, Judith Kiros’s O was a finalist for the Barrios Book in Translation Prize, and Johanna Hedman’s The Trio was on the shortlist for the Bernard Shaw Prize. Her two translations of Ia Genberg have been shortlisted and longlisted for the International Booker Prize. She lives in New York City, where she writes on U.S. issues in the Swedish press. She organizes with the National Writers Union.
Photo Credit: Ben Tousley
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Paige Aniyah Morris
Paige Aniyah Morris
Paige Aniyah Morris is a writer and translator of Korean literature. She holds BAs in Ethnic Studies and Literary Arts from Brown University and an MFA in Creative Writing from Rutgers University, and she is a PhD candidate in Comparative Culture at Sungkyunkwan University. The recipient of awards from the Daesan Foundation, the American Literary Translators Association, and the Fulbright Program, her translations have appeared in Korean Literature Now, the New Yorker, Words Without Borders, Azalea, Samovar, the Georgia Review, and more. She is the co-translator of Han Kang’s We Do Not Part.
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Frances Riddle
Frances Riddle
Frances Riddle has translated numerous Spanish-language authors, including Isabel Allende, Arturo Pérez-Reverte, Claudia Piñeiro, and Leila Guerriero. Her work has been shortlisted for the International Booker Prize and the Queen Sofía Spanish Institute Translation Prize. Originally from Houston, Texas, she lives in Buenos Aires, Argentina.
Photo Credit: Caro Pedace
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Amanda Sarasien
Amanda Sarasien
Amanda Sarasien is a writer and literary translator working from French and Portuguese into English. A recipient of a 2022 National Endowment for the Arts Translation Fellowship, her work has appeared in the Common, the Massachusetts Review, West Branch, Chicago Review of Books, Electric Literature, and elsewhere. Her translation of Brazilian author Állex Leilla’s Springtime in the Bones was published in spring 2026. She is past co-chair of the PEN America Translation Committee and lives in Chicago.
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Ena Selimović
Ena Selimović
Ena Selimović is a writer, translator, and editor. She co-founded Turkoslavia, a translation collective and journal. Her work has appeared in Words Without Borders, the Los Angeles Review of Books, the Paris Review, Asymptote, and elsewhere. She holds a PhD in comparative literature and has been awarded fellowships from the American Literary Translators Association, the American Council of Learned Societies, and the National Endowment for the Arts. Her most recent translation is Dora Šustić’s Dogs, out this November from Sandorf Passage.
Photo Credit: Adrijana Vidić
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Jeremy Tiang
Jeremy Tiang
Jeremy Tiang is a playwright, fiction writer, and the translator of over thirty books from Chinese, including novels by Yan Ge, Huang Chong-Kai, Yan Lianke, Zhang Yueran, Shuang Xuetao, and Yeng Pway Ngon. His novel State of Emergency won the Singapore Literature Prize, and his play Salesman之死 won an Obie Award for Outstanding New Play. He is the co-editor with Dr. Kavita Bhanot of Violent Phenomena: Essays toward the Future of Literary Translation. Originally from Singapore, he now lives in Flushing, Queens.
Photo Credit: Marco Giugliarelli for the Civitella Ranieri Foundation
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Jeffrey Zuckerman
Jeffrey Zuckerman
Jeffrey Zuckerman’s translations from French include books by the artists Jean-Michel Basquiat and the Dardenne brothers; the queer writers Jean Genet, Hervé Guibert, and Karim Kattan; and the Mauritian novelists Ananda Devi, Shenaz Patel, and Carl de Souza. A graduate of Yale University, he has been awarded the French Voices Grand Prize and the Oxford-Weidenfeld Translation Prize, along with fellowships from MacDowell, Hawthornden, and the National Endowment for the Arts. In 2020 he was named a Chevalier in the Ordre des Arts et des Lettres by the French government.
Photo Credit: Tianyi Zhang