Experimental Writing for Non-Experimental Writers with Porochista Khakpour (Sold Out)
2 Sessions via Zoom
Out of stock
Saturday & Sunday 2:00 pm EDT - 5:00 pm EDT December 5 to December 6, 2020
This workshop has reached its capacity. To join the waitlist, please email Thierry Kehou at email@example.com.
What does it mean for writing to be experimental? The great writer Margaret Atwood defines it as writing “that sets up certain rules for itself . . . while subverting the conventions according to which readers have understood what constitutes a proper work of literature.”
In making its own rules, a lot of the old rules have to be tossed out, of course, and so this workshop provides a few examples of the most innovative, rule-busting, eclectic works of the postmodern, absurdist, metafictional and transgressive canon. We’ll look at a wild and gutsy array of passages, old and new, that dare to be different. We’ll also generate multi-genre experimental writing of our own through a series of exercises.
Capacity: 20 students
This workshop will take place online via Zoom. Participants will receive instructions for access prior to the first session.
Porochista Khakpour’s debut novel Sons and Other Flammable Objects was a New York Times Editor’s Choice, one of the Chicago Tribune’s Fall’s Best, and the 2007 California Book Award winner in the “First Fiction” category. Her second novel The Last Illusion was a 2014 “Best Book of the Year” according to NPR, Kirkus, Buzzfeed, Popmatters, Electric Literature, and many more. Her third book Sick: A Memoir was a Best Book of 2018 according to Time magazine, Real Simple, Entropy, Mental Floss, Bitch Media, Autostraddle, the Paris Review, LitHub, and more. Among her many fellowships is a National Endowment for the Arts award. Her nonfiction has appeared in many sections of the New York Times, the Los Angeles Times, Elle, Slate, Salon, and Bookforum, among many others. Her next book will be a collection of those essays, Brown Album (Vintage, May 2020). She has taught creative writing and literature at Johns Hopkins, Wesleyan, Columbia, Bucknell, Bard, Sarah Lawrence College, and many other universities around the country. She lives in New York City.
By Porochista Khakpour
By Porochista Khakpour
Published by Vintage
Novelist Porochista Khakpour’s family moved to Los Angeles after fleeing the Iranian Revolution, giving up their successes only to be greeted by an alienating culture. Growing up as an immigrant in America means that one has to make one’s way through a confusing tangle of conflicting cultures and expectations. And Porochista is pulled between the glitzy culture of Tehrangeles, an enclave of wealthy Iranians and Persians in LA, her own family’s modest life and culture, and becoming an assimilated American. Porochista rebels—she bleaches her hair and flees to the East Coast, where she finds her community: other people writing and thinking at the fringes. But, 9/11 happens and with horror, Porochista watches from her apartment window as the towers fall. Extremism and fear of the Middle East rises in the aftermath and then again with the election of Donald Trump. Porochista is forced to finally grapple with what it means to be Middle-Eastern and Iranian, an immigrant, and a refugee in our country today.
Brown Album is a stirring collection of essays, at times humorous and at times profound, drawn from more than a decade of Porochista’s work and with new material included. Altogether, it reveals the tolls that immigrant life in this country can take on a person and the joys that life can give.
About this series
We strive to make our classes the most inviting and rewarding available, offering an intimate environment to study with award-winning, world-class writers. Each class is specially designed by the instructor, so whether you’re a fledgling writer or an MFA graduate polishing your novel, you’ll find a perfect fit here.
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