Skip to Content

The Art of the Short Story

The Art of the Short Story: Lydia Millet on Atavists with Jenny Offill

This product is currently out of stock and unavailable.

Thursday, 7:00 pm EDT - 8:15 pm EDT April 24, 2025

The Center for Fiction
& Livestreamed

The Center for Fiction is thrilled to welcome Pulitzer Prize finalist Lydia Millet to celebrate the release of her new collection of short fiction, Atavists. Millet will be joined by long-time friend, novelist, and editor Jenny Offill (Dept. of Speculation).

Atavists follows families, couples, and loners alike as they navigate the trials and tribulations of contemporary middle-class America. From an underachieving young bartender to an empty-nester determined to host refugees in his backyard, Millet’s characters reveal the broad spectrum of heartbreak and joy we all experience in an age of overwhelm.

Join us for a powerful conversation about human error, grand emotion, and innate urges of all kinds, skillfully compressed into the short story form. Millet will sign books after the event.

atavists by lydia millet

Featuring

  • milletlydia_civoryorchidphotography_2

    Lydia Millet

    Lydia Millet

    Lydia Millet is the author of A Children’s Bible, a finalist for the National Book Award and a New York Times Top Ten book of the Year. Her first work of short fiction, Love in Infant Monkeys, was a finalist for the Pulitzer Prize in 2010; her second, Fight No More (2018), won an American Academy of Arts and Sciences short fiction award. Atavists is her third work of short fiction. She lives outside Tucson, Arizona.


    Photo Credit: Ivory Orchid Photography

  • Jenny Offill_1164

    Jenny Offill

    Jenny Offill

    Jenny Offill is an acclaimed fiction writer whose debut novel, Last Things (1999), was named a New York Times Notable Book and finalist for the LA Times First Book Award. The New York Times named her second novel, Dept. of Speculation, one of the 10 Best Books of 2014. Weather: A Novel was published in 2020 and lauded by the Boston Globe as “tiny in size but immense in scope, radically disorienting yet reassuringly humane, strikingly eccentric and completely irresistible.” Her critical work has appeared in the New York Times Book Review and Slate.