Tuesday, 7:00 pm EDT May 21, 2024
The Center for Fiction
& Livestreamed
To kick off our 2024 National Endowment of the Arts Big Read initiative, The Center for Fiction welcomes Orange Prize-winning author Madeline Miller to celebrate her brilliant 2018 novel Circe, which masterfully reframes Greek mythology to turn its titular witch into a compelling heroine. Expansive yet intimate, the Red Tentacle Award-winning novel follows Circe across centuries as she witnesses the events of Greek epics—from the birth of the Minotaur to Odysseus’ journey—unfold in front of her as she lives in exile on the island of Aiaia. Joining Miller are Maria Dahvana Headley and Rachel Lyon, two authors who are also masterful retellers of old epic stories. Headley, a New York Times bestselling author and translator, has gained acclaim for her contemporary translation of Beowulf which invokes the mood of urban legends, and The Mere Wife, a dystopian retelling of Beowulf set in 21st-century America. Lyon is the author of Fruit of the Dead, an electric modern reimagining of the myth of Persephone and Demeter. Her debut novel, Self-Portrait with Boy, was a finalist for the 2018 Center for Fiction First Novel Prize.
Headley, Lyon, and Miller will have a rousing conversation about Circe moderated by Nataly Gruender, author of Medusa, an intimate retelling of its infamous titular villain. The panel will discuss the power of retelling ancient stories for new audiences and how it can return humanity to characters that are stripped of it.
This event is the first in a series of free, dynamic, community-wide programming centered around Circe. Free copies of Circe and advanced readers copies of Medusa will be available at the event.
This is a hybrid (in-person/virtual) event: Miller and Headley will join remotely and Lyon and Gruender will be in person at The Center for Fiction.
This event, along with all of our NEA Big Read programming, is free, but space is limited. Guests will be admitted on a first-come, first-seated basis.
In Conversation
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Madeline Miller
Madeline Miller
Madeline Miller is the #1 New York Times bestselling author of two novels: The Song of Achilles, which won the Orange Women’s Prize for Fiction 2012, and Circe, which was short-listed for the Women’s Prize for Fiction 2019. Her books have been translated into over thirty two languages. Miller holds an MA in Classics from Brown University, studied in the Dramaturgy department at Yale School of Drama, where she focused on the adaptation of classical texts to modern forms, and taught Latin, Greek, and Shakespeare to high school students for over a decade.
Photo Credit: Nina Subin
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Maria Dahvana Headley
Maria Dahvana Headley
Maria Dahvana Headley is a #1 New York Times-bestselling author and editor. Her novels include Magonia, Aerie, and Queen of Kings, and she has also written a memoir, The Year of Yes. With Kat Howard, she is the author of The End of the Sentence, and with Neil Gaiman, she is co-editor of Unnatural Creatures. Her short stories have been shortlisted for the Shirley Jackson, Nebula, and World Fantasy Awards, and her work has been supported by the MacDowell Colony and by Arte Studio Ginestrelle, where the first draft of The Mere Wife was written. She was raised with a wolf and a pack of sled dogs in the high desert of rural Idaho, and now lives in Brooklyn.
Photo Credit: Beowulf Sheehan
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Rachel Lyon
Rachel Lyon
Rachel Lyon is the author of Fruit of the Dead and Self-Portrait with Boy, a finalist for the Center for Fiction’s First Novel Prize. An editor emerita for Epiphany, she has taught creative writing at the Sackett Street Writers Workshop, Bennington College, and other institutions. A native of Brooklyn, New York, Rachel lives in western Massachusetts with her husband and two young children. Visit RachelLyon.work.
Photo Credit: Pieter M. van Hattem
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Nataly Gruender
Nataly Gruender
Nataly Gruender was born and raised in Arizona and found an escape from the desert heat through her library card. She studied English, Creative Writing, and Classics at the University of Arizona and is a graduate of the Columbia Publishing Course. Giving in to the siren call of New York, Nataly booked it across the country, and when she’s not working or writing she likes to pet other people’s dogs and spend too much time in used bookstores. Medusa is her debut novel.
Photo Credit: Kade Alpers Photography
Featured Book
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Circe
By Madeline Miller
Published by Little, Brown and Company
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child — not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power — the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.
Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus.
But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love.
With unforgettably vivid characters, mesmerizing language, and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man’s world.
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Beowulf
By Maria Dahvana Headley
Published by Farrar Straus & Giroux
Nearly twenty years after Seamus Heaney’s translation of Beowulf—and fifty years after the translation that continues to torment high-school students around the world—there is a radical new verse translation of the epic poem by Maria Dahvana Headley, which brings to light elements that have never before been translated into English, recontextualizing the binary narrative of monsters and heroes into a tale in which the two categories often entwine, justice is rarely served, and dragons live among us.
A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. The familiar elements of the epic poem are seen with a novelist’s eye toward gender, genre, and history—Beowulf has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story. While crafting her contemporary adaptation of Beowulf, Headley unearthed significant shifts lost over centuries of translation.
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Fruit of the Dead
By Rachel Lyon
Published by Scribner
Camp counselor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother in New York, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a Fortune 500 pharmaceutical company, Rolo Picazo is middle-aged, divorced, magnetic. He is also intoxicated by Cory. When Rolo proffers a childcare job (and an NDA), Cory quiets an internal warning and allows herself to be ferried to his private island. Plied with luxury and opiates manufactured by his company, she continues to tell herself she’s in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. With her daughter seemingly vanished, Emer crosses land and sea to heed a cry for help she alone is convinced she hears.
Alternating between the two women’s perspectives, Rachel Lyon’s Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a tale that explores love, control, obliteration, and America’s own late capitalist mythos. Lyon’s reinvention of Persephone and Demeter’s story makes for a haunting and ecstatic novel that vibrates with lush abandon. Readers will not soon forget it.
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Medusa
By Nataly Gruender
Published by Grand Central Publishing
The only mortal daughter of two sea gods, and a priestess of Athena, Medusa was a woman who thought she had found her place in the world. But when Medusa suffers a horrific violation at the hands of Poseidon, Athena is outraged over the desecration of her name and sends a message by transforming Medusa into the snake-haired monster of legend. With one look, any who meet her gaze is turned to stone. Word of her monstrosity travels fast, igniting a king’s fear so greatly that he commands the boy-hero Perseus to bring him her head. With a power that will spare no one, Medusa begins to wonder if this is a blessing or a curse. Medusa only knows that she must leave the city she has come to call home before she harms another soul.
Searching for a haven free from mortals, anger buoying her every step, Medusa journeys across ancient Greece. Her eyes are hidden beneath a blindfold, with nothing but the snakes for company. Through her travels, Medusa discovers solace and understanding in the mythical figures she stumbles upon: A debaucherous wine god, an alluring nymph, and a three-headed dog. But one cannot escape fate forever. As Perseus closes in, Medusa faces a choice: become the monster everyone expects her to be, or cling to the last piece of her humanity.
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