Tuesday, 1:00 pm EDT May 12, 2020
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Celebrate the launch of Olivia Laing’s Funny Weather: Art in an Emergency, a beautiful collection of essays that brings together a career’s worth of Laing’s writing about art and culture, examining its role in our political and emotional lives. Laing will discuss the importance of art during difficult times with our executive director, Noreen Tomassi.
Purchase Funny Weather: Art in an Emergency at Our Online Bookstore
Olivia Laing is a widely acclaimed writer and critic. She writes for the Guardian, New Statesman and Frieze among many other publications. Her first book, To the River, was shortlisted for the Ondaatje Prize and the Dolman Travel Book of the Year. The Trip to Echo Spring was shortlisted for the Costa Biography Award and the Gordon Burn Prize. The Lonely City was shortlisted for the Gordon Burn Prize and the National Book Critics Circle Award for Criticism, and translated into 15 languages. In 2018 she was awarded a Windham-Campbell Prize. She lives in London.
Funny Weather: Art in an Emergency
By Olivia Laing
Published by WW Norton
In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty first century. Funny Weather brings together a career’s worth of Laing’s writing about art and culture, examining its role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keefe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time.
We’re often told art can’t change anything. Laing argues that it can. It changes how we see the world. It makes plain inequalities and it offers fertile new ways of living.
“Her gift as a critic is her ability to imaginatively sympathize with her subjects in a way that allows the art and life of the artist to go on radiating meaning after the book is closed.” –Elle Magazine
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