Includes a Copy of A Guest at the Feast & a Beverage
Out of stock
Thursday, 7:00 pm EST February 23, 2023
The Center for Fiction
With Colm Tóibín’s new collection of essays, A Guest at the Feast, he brings the reader along on spellbinding adventures from his life, so it’s only fitting that a celebration of the book takes place on a more intimate scale. For those familiar with how Tóibín speaks about his fiction, you already know that his way of storytelling feels more suited to cocktail conversation, and we’re throwing a special salon in our elegant Members Lounge to give the audience an opportunity to engage with the much-loved award-winning author about his love of literature and writing.
Space for this event will be limited and includes a copy of A Guest at the Feast with a glass of wine or a non-alcoholic beverage.
Colm Tóibín is the author of ten novels, including The Magician, winner of the Rathbones Folio Prize; The Master, winner of the Los Angeles Times Book Prize; Brooklyn, winner of the Costa Book Award; The Testament of Mary; and Nora Webster, as well as two story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University and has been named as the Laureate for Irish Fiction for 2022–2024 by the Arts Council of Ireland. Three times shortlisted for the Booker Prize, Tóibín lives in Dublin and New York.
Photo Credit: Reynaldo Rivera
A Guest at the Feast
By Colm Tóibín
Published by Scribner
“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” The second essay in this seductive collection is a memoir about growing up in the 1950s and ’60s in the small town of Enniscorthy in County Wexford, the setting for many of Tóibín’s novels and stories, including Brooklyn, The Blackwater Lightship and Nora Webster. Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality.
In Part Two, Tóibín profiles three complex and vexing popes—John Paul II, Benedict XVI and Francis. And in Part Three, he writes about a trio of authors who reckon with religion in their fiction. The final essay, “Alone in Venice,” is a gorgeous account of Toibin’s journey, at the height of the pandemic, to the beloved city where he has set some of his most dazzling scenes. The streets, canals, churches and museums were empty. He had them to himself, an experience both haunting and exhilarating.
A Guest at the Feast is both an intimate encounter with a supremely creative artist and a glorious celebration of writing.
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