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The Box From Japan (1932)
By Harry Stephen Keeler
Weighing in at 312,348 words, this exhaustive and exhausting narrative set in 1942 is about 3D television, a canal across Nicaragua, the molecular structure of sugar, and “etheric stresses due to halfwave-length-dephased hightension pulsations from meshworks.” Among other things. RP
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The Marceau Case and X. Jones of Scotland Yard (1936)
By Harry Stephen Keeler
Keeler’s ultimate experiment in form, this pair of “documented novels” tell the tale of the murder of André Marceau, who may or may not have been strangled by a helicopter-flying little person in the middle of his vast croquet lawn. Combining letters, photos (including one of HSK himself), cartoons, Bible verses, astronomical charts, and logorrheic newspaper stories, the novels present a 3-dimensional solution in the first volume and a 4-dimensional one in the second. RP
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The Mysterious Mr. I (1938) and The Chameleon (1939)
By Harry Stephen Keeler
This two-volume set takes the concept of an unreliable narrator to comic extremes. The enigmatic storyteller adopts no fewer than 50 identities in his travels through Chicago, including that of a philosophy professor who proposes a new solution to the famous Marceau case. RP
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Finger! Finger! (1938)
By Harry Stephen Keeler
When our hero inadvertently switches overcoats with a stranger and finds a human finger in a pocket, he is plunged into a tiramisù of telegrams, newspaper stories, endless phone calls, hieroglyphics, and a 67-page deathbed confession. Notable for the opening chapter, written by Harry’s wife, Hazel Goodwin Keeler, as a parody of her husband’s style. RP
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The Case of the Ivory Arrow (1945)
By Harry Stephen Keeler
Keeler’s 1917 story “Misled in Milwaukee” eventually morphed into this surreal novel in which bumpkin Ezra Jenkins searches for his brother, X-Y-Z Jenkins, in the eerie metropolis of Wiscon City, encountering characters such as African-American poet Olivia Debrevois and an entity known as Life’s Triple Enigma. RP
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The Voice of Seven Sparrows (1924)
By Harry Stephen Keeler
HSK’s first published novel, atypically beginning in Brooklyn and ending in New Orleans. The ornate plotting is already in place; it’s this book that he diagrams for his article on “webwork” for Author & Journalist magazine. Given the importance of certain Chinese characters in the book, he chooses to begin his diagram 500 years in the past, with “Confucius” as a strand. EP
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The Riddle of the Traveling Skull (1934)
By Harry Stephen Keeler
This is a literal head trip, involving the peregrinations across Chicago of a skull in a bag. Whose brain did the cranium once encase? Why is it stuffed with what appear to be scraps of poetry? Why is the damn bag so ridiculously complex? A fever dream told by a confectioner, this is irresistible stuff: the best single volume introduction to Keeler’s world. EP
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The Portrait of Jirjohn Cobb (1940), Cleopatra’s Tears (1940), The Bottle With the Green Wax Seal (1942)
By Harry Stephen Keeler
Informally known as the “Big River” trilogy, each book in this sequence begins with a distinct plot that eventually funnels into a showdown featuring a big contribution from Mother Nature. An island is on the verge of being overrun by deadly floodwaters. Four men are there—but only three lifejackets. One of them is a vicious criminal. Each book is a full-fledged mystery, but only the intrepid reader who can brave a 900-page torrent of weird dialect and mariachi costumes will survive to see the beauty of the whole construction. Gloriously pointless. EP
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Y. Cheung, Business Detective (1939)
By Harry Stephen Keeler
My favorite Asian-American novel by a non-Asian-American might well be this neglected masterpiece, in which the titular sleuth, born and raised in Indiana, takes on a corporate espionage case and a maddening literary mystery all at once. While the book is full of Keeler’s trademark loopiness, its hero is a melancholy fellow—brilliant, assimilated, yet unable to win recognition in a white-dominated country. Keeler was fascinated by all things Chinese; Chinese characters, books, and artifacts play significant roles throughout his work. But though he sometimes attempted to turn the racism of the period on its head, he didn’t always escape it. Here, he replaces insensitivity with a relentless accounting of just how slim the odds of success were for a person of color in a racist society. As if that weren’t timely enough—it’s also the ne plus ultraof leak narratives! EP
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Author Picks
In this series, widely acclaimed authors recommend a list of books based on a theme.