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How We Fight for Our Lives
By Saeed Jones
Published by Simon & Schuster
Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir. Jones tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.
An award-winning poet, Jones has developed a style that’s as beautiful as it is powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one-of-a-kind memoir and a book that cements Saeed Jones as an essential writer for our time.
By Jac Jemc
Published by FSG Originals
In Jac Jemc’s dislocating second story collection, False Bingo, we watch as sinister forces—some supernatural, some of this earth, some real and some not—work their ways into the mundanity of everyday life.
In “Strange Loop,” an outcast attempting to escape an unnamed mistake spends his days taxiderming animals, while in “Delivery,” a family watches as their dementia-addled, basement-dwelling father succumbs to an online shopping addiction. “Don’t Let’s” finds a woman, recently freed from an abusive relationship, living in an isolated vacation home in the South that might be haunted by breath-stealing ghosts.
Fueled by paranoia and visceral suspense, and crafted with masterful restraint, these seventeen stories explore what happens when our fears cross over into the real, if only for a fleeting moment. Identities are stolen, alternate universes are revealed, and innocence is lost as the consequences of minor, seemingly harmless decisions erupt to sabotage a false sense of stability. “This is not a morality tale about the goodness of one character triumphing over the bad of another,” the sadistic narrator of “Pastoral” announces. Rather, False Bingo is a collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.2 .
By Terry Tempest Williams
Published by Sarah Crichton Books
Terry Tempest Williams is one of our most impassioned defenders of public lands. A naturalist, fervent activist, and stirring writer, she has spoken to us and for us in books like The Hour of Land: A Personal Topography of America’s National Parks and Refuge: An Unnatural History of Family and Place. In these new essays, Williams explores the concept of erosion: of the land, of the self, of belief, of fear. She wrangles with the paradox of desert lands and the truth of erosion: What is weathered, worn, and whittled away through wind, water, and time is as powerful as what remains. Our undoing is also our becoming.
She looks at the current state of American politics: the dire social and environmental implications of recent choices to gut Bears Ears National Monument, sacred lands to Native People of the American Southwest, and undermine the Endangered Species Act. She testifies that climate change is not an abstraction, citing the drought outside her door and at times, within herself. Images of extraction and contamination haunt her: “oil rigs lighting up the horizon; trucks hauling nuclear waste on dirt roads now crisscrossing the desert like an exposed nervous system.” But beautiful moments of relief and refuge, solace and spirituality come—in her conversations with Navajo elders, art, and, always, in the land itself. She asks, urgently: “Is Earth not enough? Can the desert be a prayer?”
By Clay McLeod Chapman
Published by Quirk Books
Inspired by a true story, this supernatural thriller for fans of horror and true crime follows a tale as it evolves every twenty years—with terrifying results.
Ella Louise has lived in the woods surrounding Pilot’s Creek, Virginia, for nearly a decade. Publicly, she and her daughter, Jessica, are shunned by her upper-crust family and the local residents. Privately, desperate characters visit her apothecary for a cure to what ails them—until Ella Louise is blamed for the death of a prominent customer. Accused of witchcraft, Ella Louise and Jessica are burned at the stake in the middle of the night. Ella Louise’s burial site is never found, but the little girl has the most famous grave in the South: a steel-reinforced coffin surrounded by a fence of interconnected white crosses.
Their story will take the shape of an urban legend as it’s told around a campfire by a man forever marked by his childhood encounters with Jessica. Decades later, a boy at that campfire will cast Amber Pendleton as Jessica in a ’70s horror movie inspired by the Witch Girl of Pilot’s Creek. Amber’s experiences on that set and its meta-remake in the ’90s will ripple through pop culture, ruining her life and career after she becomes the target of a witch hunt.
Amber’s best chance to break the cycle of horror comes when a true-crime investigator tracks her down to interview her for his popular podcast. But will this final act of storytelling redeem her—or will it bring the story full circle, ready to be told once again? And again. And again . . .4 .
Sleeveless: Fashion, Image, Media, New York 2011–2019
By Natasha Stagg
Published by Semiotext(e) / Native Agents
Eve Babitz meets Roland Barthes in Sleeveless, Natasha Stagg’s follow up to Surveys, her 2016 novel about internet fame. Composed of essays and stories commissioned by fashion, art, and culture magazines, Sleeveless is a scathing and sensitive report from New York in the 2010s. During those years, Stagg worked as an editor for V magazine and as a consultant, creating copy for fashion brands. Through these jobs, she met and interviewed countless industry luminaries, celebrities, and artists, and learned about the quickly evolving strategies of branding. In Sleeveless, she exposes the mechanics of personal identity and its monetization that propelled the narrator of Surveys from a mall job in Tucson to international travel and internet fame.
By Leigh Bardugo
Published by Flatiron Books
Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug-dealer boyfriends, dead-end jobs, and much, much worse. In fact, by age twenty, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most prestigious universities on a full ride. What’s the catch, and why her?
Still searching for answers, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. Their eight windowless “tombs” are the well-known haunts of the rich and powerful, from high-ranking politicos to Wall Street’s biggest players. But their occult activities are more sinister and more extraordinary than any paranoid imagination might conceive. They tamper with forbidden magic. They raise the dead. And, sometimes, they prey on the living.6 .
By Zadie Smith
Published by Penguin Random House
Zadie Smith has established herself as one of the most iconic, critically respected, and popular writers of her generation. In her first short story collection, she combines her power of observation and her inimitable voice to mine the fraught and complex experience of life in the modern world. Interleaving eleven completely new and unpublished stories with some of her best-loved pieces from The New Yorker and elsewhere, Smith presents a dizzyingly rich and varied collection of fiction. Moving exhilaratingly across genres and perspectives, from the historic to the vividly current to the slyly dystopian, Grand Union is a sharply alert and prescient collection about time and place, identity and rebirth, the persistent legacies that haunt our present selves and the uncanny futures that rush up to meet us.
Nothing is off limits, and everything—when captured by Smith’s brilliant gaze—feels fresh and relevant. Perfectly paced and utterly original, Grand Union highlights the wonders Zadie Smith can do.
I Used to Be Charming
By Eve Babitz
Published by NYRB Classics
With Eve’s Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola’s short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own.
I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz’s wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.8 .
By Gail Scott
Published by Coach House Books
A classic feminist novel, resonating in a world of increasing radicalization, featuring a new foreword by Eileen MylesIt’s October, 1980, the 10th anniversary of the October Crisis, when a radical Quebec group’s actions led to the invocation of the War Measures Act. In a bathtub in a rooming house in Montreal in 1980, a woman tries to imagine a new life for herself: a life after a passionate affair with a man while falling for a woman, a life that makes sense after her deep involvement in far left politics during the turbulent 70s of Quebec, a life whose form she knows can only be grasped as she speaks it. A new, revised edition of a seminal work of edgy, experimental feminism. With a foreword by Eileen Myles.